In a candid interview, Miranda Otto delves on topics ranging from her latest role as a regal sea creature to the invaluable wisdom learned through onstage mishaps and meeting admirers.
The most recent character portrays Queen of the Cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would it be and why?
Straight away, that particular fish found at a specific shoreline â since it is like an institution, and individuals visit to see it. It strikes me itâs cool that a resident aquatic creature that folks genuinely go and see and discuss â it holds a unique status.
What film do you repeatedly watch, and why?
The 1942 comedy To Be Or Not To Be. I love this picture. During my growing up, it used to come on the ABC occasionally, and once I videotaped it. I just thought it was hilarious. It stars the legendary Carole Lombard and Jack Benny. Recently they were showing it at a cinema and it turned out that it was also the favourite film of an acquaintance, and so we attended and just laughed repeatedly. Itâs such great piece of comedy and all the actors in it are fantastic. The director Mel Brooks did a remake in the 1980s â that wasnât successful. But Lubitsch's version is a brilliant comedy, to be watched often.
Whatâs the best lesson you learned from someone youâve worked with?
Years ago I performed in A Dollâs House with Pete â now my spouse, but back then we were not a couple. We portrayed characters opposite each other and on opening night I stumbled â I skipped forward a few lines in the script. I was unaware of my error but I abruptly sensed things were off. I remember glancing toward him, and he completely saved me, and then our performance regained momentum and went really, really well. But I think the insight gained then was, first, consistently rely on the individuals in your scene. If you donât know where you are, by looking and toward the actors youâre with, you can rediscover your correct position in some way. It is a profoundly communal thing, performing live. And next, just to have a lighthearted attitude regarding it. Occasionally when something goes wrong, things actually spark off in a wonderfully positive direction if youâre really present in that moment. It can be an unexpected boon when things go absolutely the wrong way.
Can you describe your most memorable interaction with a fan?
There isn't just one specific meeting but when I encounter devotees of Lord of the Rings, especially female fans, I am told numerous accounts about what Eowyn impacted them when they were younger ⊠things that had happened in their lives and the extent to which Eowyn meant to them and was some kind of help to them during those periods.
What do you get asked about the most by Lord of the Rings fans?
The most specific question is invariably regarding the stew that Eowyn serves Aragorn. âDid that stew taste really that bad?â Itâs become such a joke, the entire episode about the stew, and everyone wants to know the contents of the stew, and its preparation method, and in your opinion her skills improved now, or do you think she really is a bad cook? Fans seem, I think, obsessed with the comedy of that scene. And I provide lengthy descriptions listing the ingredients that made up the stew â as I recall the efforts made; like they even put bits of red cotton to make it look like bits of veins in the meat. The crew employed great detail to render it as unappetizing as possible.
Whatâs been your most cringeworthy celebrity encounter?
I attended a fitness session and there was a woman lying down exercising, and the instructor remarked, âOh, Miranda, this is Miranda.â And I attempted a lighthearted remark about, âoh, are you a journalist?â Since Miranda is an uncommon moniker and often when someoneâs a Miranda, theyâre a journalist. I wasnât really identified her. And when she got up, it was Miranda Richardson. Then I was at a loss for words. I was obliged to stay and do my class, and I felt so embarrassed. I wished to explain: âGoodness, I do know your work!â I think her talent is immense and I was just too starstruck to utter a syllable.
Articles have repeatedly stated that you were given your name from Prosperoâs daughter in Shakespeareâs The Tempest, and yet Iâve read you saying otherwise â can you clarify this definitively?
Indeed, I was christened for the Sydney suburb. Mum learned via broadcast that they were inaugurating a mall at that location, and the name sounded like a pleasant choice.
What was the chaotic thing thatâs ever happened on set?
While working in Brazil for the film Reaching for the Moon I experienced the most chaotic set of my career, and yet the final product turned out incredibly well. But the local crew operated in a distinct manner. The sense of time there is unique. Typically, you normally have a schedule and you have to be on set by a certain time. But this was rather flexible â you come on set whenever you happen to be ready. It was a really different approach for me. All aspects were all coming together at the very last minute, and at times the plan was unclear the next location the next day the methodology. And then youâd be in during a scene and wondering, âWhat caused that sound that disturbed the scene? Oh, itâs a crew member opening a bottle during filming, to start a party.â It turned out excellent, but wow, itâs a really different approach to film-making.
What are you secretly good at?
I naturally possess good with numbers. I memorise numbers easier than I learn dialogue a lot of the time, Iâve just got that kind of a brain. So I think had I not ended up in acting, I probably would have worked in involving numbers, like math or accounting.
What is the greatest piece of advice you have ever received?
During my time in high school, a speaker addressed us when we were graduating and stated, âdonât be afraid to failâ ⊠an idea I consider is supremely valuable counsel, because you learn far more from setbacks than you learn from triumph. Success, one rarely comprehends precisely why it happened. Failure, you learn so much more.
A tech journalist and AI researcher with over a decade of experience covering emerging technologies and their impact on society.